Notes – Monday Dress
Act 1
| Who | What |
| Prologue | |
| Kate | Nice little-girl excitement |
| Paul | Nice acting in the dark! |
| Alex | Makeup! (go fashion-queen beauty) |
| Alex | No prep for the spell – practice getting it ready secretly and run your props in front of a mirror |
| Paul | Hold up the mirror on cue |
| Belle | |
| Maya | Louder! |
| Baker | Nice volume |
| Trio | Good volume |
| ALL | Call attention to yourself when you solo |
| Belle Soloists | Couldn’t hear you “Bonjour/Good Day, How is your family” sequence |
| Ellie | Miked? Louder! |
| ALL | More sass in arms – whole body communicates your attitude |
| ALL | Pose with levels, not just standing – sitting on the platforms, leaning over, etc. |
| Tina | Practice duck throw 2nd period |
| Gaston | Better eyebrows! Now you need sideburns, too. J |
| ALL | Can’t hear you during the quick part at end of song |
| ALL | Good “Oh, Good morning!” |
| ALL | Nice vol. at end of song! |
| Cody | Nice pose when you stepped out instead of just standing there |
| Post-Belle Scene/No Matter What | |
| LeFou/Gaston | Good grooming bits |
| ALL | Bike Pump?!?!?!? Someone bring one tomorrow, please! |
| LeFou | Hair looks better in front! |
| Maurice | Maybe add a snorting laugh as you say, “My daughter (snort, snort) odd?” |
| Maurice | Gestures for “Except for one uncle who, well, maybe, let that pass” to break up what you’re saying |
| Maurice/Belle | Get the “t”s on the end of your words in the song! |
| BLUES | Make sure they’re closed all the way!! |
| Maurice | Good timing for the nose bit |
| Wolf Chase 1/Maurice in the castle | |
| Maurice | Call through the curtains instead of banging on the wall |
| Kailey and Jessica | Missed the blacks curtain moves |
| Chris | Mic wire over back or in clothes (not in front where it gets jiggled!) |
| JJ & Horgan | Chair platform? |
| SPIKE SET!!!! | |
| Chip | Nice teeth! (or lack thereof) and good gag to the audience |
| ALL | Pause for laughs! |
| ALL | Watch for being upstaged (Bab by Cogs) and adjust |
| ALL | No talking! Mics still on |
| Me | |
| SGs | Handkerchiefs!! (from fabric closet – maybe matching?) |
| Gaston | Portrait?! (bringa stack of photos of yourself!) |
| ALL | Don’t open the blues if you’re not ready (but be ready!) |
| Belle/Gaston | See me for Me opening blocking |
| Gaston | After you check out her butt, give a “oh, yeah!” nod to the aud. |
| Belle | Bigger “Dang it!” gestures when you get caught |
| ALL Girls | Watch that your corsets overlap your skirt/shirt intersections (including in the back) |
| Blues | Good timing on when you shut them post-reprise |
| LeFou | Review joke thinking in class |
| Sconce | |
| Belle in the Castle | |
| Lumiere | “Look at us, look at you” line – you keep going Irish on it |
| Cogsworth | Play more to the audience during jokes |
| Lum/Cogs | See me for the “It’s a girl!” freeze and exit and “Stop that”s! |
| Potts/Chip | Much better earlier entrance! |
| Babs | Earlier entrance (come in before Potts is done speaking) |
| Angelina | As caryatid, be across the front, paralleling Jacob |
| Belle | Let go of cape (don’t get hands huddled in it) |
| Maurice | Nice protesting! Scary! |
| Lumiere | Nice squeak on “comfortable room” |
| Paul | Wave Lumiere away so he has a reason to exit |
| Paul | Nice “It’s forbidden!” |
| Paul | Take the downstage exit to your hovel? |
| Is This Home? | |
| Belle | Better filling the time with looking during song intro! |
| ALL | If we’re in a low-light scene, avoid crossing! |
| Belle | Nice gestures for solo |
| Belle | Try not to back up too much when you’re still singing – it’s okay to stay DS until the end. |
| Kelle | Hold entrance just a little longer – maybe until Belle backs up? |
| Kelle | Hat? Decorate the front of your box? |
| Kelle | See me for bloomers move and line directions |
| Kelle | The pink dress works fine! |
| ALL | Better job on set changes later – now work on doing them quietly! |
| Gaston | |
| Hogan | Nice attempt at improv |
| Gaston | If the curtain’s not open, hold the lines! |
| Sterling | Black socks? (vs. hairy legs) |
| ALL | Love the moustaches! (put them away) |
| Gaston | Don’t hitch up your chest pre-reveal |
| GASTON HAIR BRA | |
| Gaston | Nice prep for poses |
| Chris, Jacob, Kelle | More vocal challenges and disappointment in arm wrestle |
| SGs | Practice the fanning so you don’t forget |
| ALL | You can add vocal punctuation to dancing - HAVE FUN! (moustache seriousness) |
| Gaston | Give the audience some “Oh, yeah!” eyes during the floor part of the dance |
| LeFou/ALL | Good call LF laughing early when the music wasn’t done yet instead of the long awkward pause! |
| Maurice | Mic? |
| LeFou | Mic is clipped too low/too far to the side |
| LF/Gaston | Nice “marriage” bit! |
| Pre-Dinner Scenes | |
| Kelsey | Blues? (and not all the way open) |
| Chris | Handle? |
| Potts/Lum | If he doesn’t have one, what are you going to do? |
| Chris | Maybe make the “I’m frightened Lumiere” line funny? |
| Lumiere | Make the “Poof!” your candles lighting |
| Paul | Purr for the “gentle” part instead of saying “ah” twice in a row |
| Chris | Take even longer (and more exaggerated) your entrance to announce the bad news |
| Chris | Enter from Belle’s room! (UL) |
| Lumiere | Nice sneeze! |
| Babette | Nice job on the sobbing bit |
| Lumiere | See me for exit with Babette |
| Lumiere | Much better entrance timing for “The girl is gone!” |
| Chris | Tweak costume (Velcro showing) |
| Be Our Guest | |
| Lumiere | Much better singing on “Be Or Guest” – your confidence is showing! |
| ALL | Have FUN! (or at least fake it) |
| Forks | Creative solution for the straps. I like it! |
| SL Leg stays there to mask wing? | |
| Napkins | Make sure the triangle covers most of your chest (camisols shouldn’t really show – repin if needed) |
| Curtain off? | (fix it if you’re going off!) |
| Babs | When you walk in, obviously see the napkins before you look mad |
| Babs and Lum | Look at each other as you dance! (esp. when you tango horizontally across) |
| Salt and Pepper | Too fast (the blowing was early) |
| Cody | Can you do pigtails for the rug? Kind of like tassels? |
| Maya/Jacob | Run your bit before each show as part of your warm-ups (all work hardest parts) |
| Post-BoG | |
| Chris | Quicker with the “Well done, well done!” – you can even cut Belle off. |
| Chris | Big change for tour voice! Keep talking until you’re all the way off. |
| Belle | Stop talking when you walk off-stage!!! |
| Lumiere | Celebrate the score on figuring out she likes Libraries before you talk again |
| Chris | Slow down the line about cascades of books, etc. |
| Belle | Good “ow” |
| Paul | Aw! You made me sad with the desperation in your voice as you said, “You don’t understand!” (that’s a good thing, by the way) |
| Carla | Hairy chest & chin for Paul? |
| ALL | No lights on backstage! |
| | |
| | Run Time: 1:17 |
| Act II | |
| Wolf Chase #2 | |
| ALL | No crossing on the wolf scenes! |
| Wolves | Nice circling |
| Belle | Bigger Scream |
| Middle Blacks | Early – wait for Belle/Beast to exit |
| Something There | |
| Potts | STAY IN CHARACTER! Even when you forget your lines. |
| Belle/Beast | Acknowledge Potts’ offer of coup (don’t ignore her) |
| Potts | Don’t whisper directions to people while miced |
| Beast/Lum/Cogs | Fill gap before Paul’s solo with blocking |
| Lum/Cogs | COME DOWN STAGE so Paul doesn’t have to face up |
| Belle | Slow costume change!!! |
| Paul | “It’s red!” – more matter-of-fact, more of a statement |
| Belle/Beast/ Lumiere | Late on reveal for Kindle |
| Paul | More ashamed when you admit “Only a little and long ago” |
| CASTLE Leads | Fill the gaps with blocking! Spy on them, give looks, etc. |
| Human Again | |
| Kelle | Leave the chair – let JJ/Horgan take it off |
| Kelle | Keep hands on your hips instead of trying to clasp them |
| Sterling | Much better singing today! The best you’ve done in a while. |
| Babs/War/Potts | Excellent singing! |
| Chris | See me to fix clock hands |
| ALL | Best job at Human Again in a long while! Yay you! |
| Becky | The “dust” should be at the bottom of your dress instead of randomly placed |
| ALL | Don’t forget head turns on the pinwheel |
| ALL | Keep up the volume on the pinwheel! |
| ALL | Face the audience as you parade in a circle |
| Maison des Lunes | |
| D’Arque | See me in class tomorrow to get goatee |
| LF/D’A | Good cover for dropped coins |
| Gaston/D’A | D’A does first thump, Gaston does second (pre-handshakes) |
| Beauty and the Beast | |
| Hairspray Mirror | |
| Babs | Good serving |
| Tina | Good fade for first time! |
| Cogs | Be on top platform |
| ALL | When you carry a candle, carry a candle! |
| Belle/Beast | Default = looking into each other’s eyes. All the time in this dance! |
| Belle | Much better looking/talking at mirror |
| Blues | Closed after Belle leaves (set change during Paul’s song) Why not finished? (Yay Ms. Hanford for the improvised piano solo) |
| A Change in Me | |
| Belle | Watch out for swaying too much side to side in this solo. Otherwise, great! |
| Flowers for Fountain | |
| Mob Song | |
| Gaston | Nice pose to listen. Bigger look to crowd post-slap. |
| ALL | Stay riveted in this scene – don’t fidget with costumes, etc. You make the mood. |
| Kelsey | Nice solo line |
| Kelle & Laely | Be on the platform behind you (higher level) |
| ALL | When you step to Gaston – why do you go there? (to PLAN!) |
| Ladies | Eyes on Audience or Gaston (not where you’re going) |
| Capes | |
| Ladies | Shout “Save the village and our lives” |
| LeFou | Don’t Drop Character! |
| Battle Scene | |
| ALL | If not onstage when lights start, stay off and run on during chase |
| Ezra | Thanks for trying to stall pre-burn |
| ALL | Longer chase off |
| Chopsticks | No hopping 1st cross. Maybe another way to cross? |
| ALL | Lots of noise in chases! (and vary the screaming!) |
| Fight on Tower | |
| ALL | No crossing in fight scene! If no curtains and wrong side, tough! |
| Paul | Better noises |
| Belle | Bigger “No!” Paul’s about to die, dang it! Save him! |
| Belle/Gaston/Beast | ??? Should Gaston hurt her? That’s why she doesn’t help? |
| Gaston/Beast | Fight ended too soon |
| Caryatids | Give it a moment before you enter |
| Belle | “Stay with …” and stop to sob |
| Fireflies | Too early (wait for Belle to XDL so you’re out of the spot) |
| **Run Ending** (cut music) | |
| Bailey | Lights on ending** |
| Potts | Still too early at ending (it’s a musical cue) |
| Paul/Sterling | Big Manly Hug! |
| ALL | If improvising, it’s at the same volume and persuasion as normal lines |
| Babs | Dust Lum’s hands when you say “I like you better this way, too” |
| Kelle | Bodice too loose? |
| Kelle/Chris | Microphone? |
| Ezra | Much better pants. I’ll show you how to roll them neatly |
| Potts | Laugh cutely at Ezra’s “sleep in cupboard” |
| ALL | Late entrance (take it from Ezra) |
| ALL | Better hugging, but be more animated/less camp-ground-ish |
| ALL | Review singing at end |
| :51 | |
Arighty roosky got it!!!! :)
ReplyDelete-Cheyenne